ENRICO CONIGLIO

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Home→Blog→Posts Written by: Enrico - Page 8 << 1 … 7 8 9 … 17 >>

Author Archives: Enrico

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Out Now: VVAA “Aqua Matrix” (Dragon’s Eye recordings)

Posted on 11/22/2016 by Enrico

So happy my track Acque Lotiche/Acque Lentiche has been featured on this release, out for Dragon’s Eye recordings, as the result of an artist residency held in Campania, south of Italy, last year. ‘Aqua Matrix’ is an investigation into the aesthetics of water, … Continue reading →

Call for Works #2 | Field recordings by musicaelettronica.it

Posted on 07/29/2016 by Enrico

Happy to say my track “Solèra (part two)” was selected for the call for Works #2 | Field recordings by musicaelettronica.it. Happy listenings.

Out Now: Solèra – Bragos series (13/Silentes 2016)

Posted on 05/30/2016 by Enrico

So happy to finally announce the release of ‘Solèra’, second episode of the “Bragos series”. Solèra by Enrico Coniglio10 inch vinyl cut with photographs by Stefano Gentile printed on forex. Limited to 25 copies.

Sound work for “MAR GH’ERA 2222″, project by ANALOGIQUE, La Biennale di Venezia

Posted on 05/27/2016 by Enrico

Happy to display my sounds for “MAR GH’ERA 2222″ project by ANALOGIQUE, at Padiglione Venezia, XV Mostra Internazionale di Architettura, La Biennale di Venezia. Thanks to Analogique group for inviting me.

Solèra Teaser

Posted on 05/20/2016 by Enrico

Solèra Teaser from Enrico Coniglio on Vimeo.

Astrùra Teaser

Posted on 05/09/2016 by Enrico

Astrùra Teaser from Enrico Coniglio on Vimeo.

Out Now: Astrùra – Bragos series (13/Silentes 2016)

Posted on 04/26/2016 by Enrico

I’m so pleased to officially announce the release of ‘Astrùra’, a new soundscape composition dedicated to the lagoon of Venice. Stream and grab your copy here. Astrùra by Enrico Coniglio The album comes as a 10 inch vinyl cut with … Continue reading →

Excerpts from my live set at Standards (Milano-IT)

Posted on 03/16/2016 by Enrico

Here an excerpt of my live set at Standards in Milano/feb 19, 2016. Field recordings, tape loops, effects.   Thanks to Alberto Boccardi and Nicola Ratti.

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